Nigel Gore (actor) will be returning to the Colorado Shakespeare Festival in summer of 2013 to play the title role in Macbeth and Bottom in A Midsummer Night’s Dream. He received the Eliot Norton Award for Outstanding Actor for his portrayal of George in Who’s Afraid of Virginia Woolf? at the Publick Theatre in Boston. Recent work includes Richard in Richard III at Colorado Shakespeare Festival; Squeers, Hawke in Nicholas Nickleby at Lyric Stage Boston (Eliot Norton Outstanding actor nomination); Claudius in Hamlet at Prague Shakespeare Festival; Volumnia in Coriolanus at the Mercury Theatre, Colchester, UK; Mark Antony in Antony and Cleopatra; Sir Toby Belch in Twelfth Night (both with Shakespeare & Co.). Film: Last Knights. TV: seasons two and three of Brotherhood on Showtime. Mr. Gore is a founding member of AUREA, a performance ensemble whose mission is to explore the relationship between music and the spoken word. He is a published poet.
Eric Tucker (director) – Off Broadway: Saint Joan (NY Times, Back Stage critics pick), The Libertine, The Belle of Belfast, 86’d. Off-Off Broadway: Closer, The Libertine, 16 East. Regional: Hamlet (with William Hurt, Stella Adler Theatre, Los Angeles); Mate (The Actors’ Gang, L.A.); Macbeth (nominated Best Overall Production and Best Director by LA Weekly); Uranium + Peaches (with Ed Asner, L.A.); Pinter’s Mirror, Bad Dates, Women of Will: The Complete Journey (Shakespeare and Co., Colorado Shakespeare Festival, Prague Shakespeare Festival, The Nora Theatre); Women of Will: The Overview (Shakespeare and Co. and Mercury Theatre in Colchester, England); Twelfth Night, Romeo and Juliet (Trinity Repertory Company); Saint Joan (L.A. Critics Circle top 10); Antony and Cleopatra, Hamlet, Measure for Measure (Redlands Shakespeare Festival); Man of La Mancha, Sanctuary (North American premiere, Veterans Center for the Performing Arts); Watership Down (world premiere, Burning Coal); Macbeth, Closer (The Gamm); The Voyage of the Carcass (world premiere, Brown Playwrights Festival); Angels in America Parts I & II, The Tempest, Much Ado About Nothing, Richard III (Beowulf); The Last Days of Judas Iscariot (University of Utah). Eric’s Shakespearean acting roles include Hamlet, Iago, Henry V, Macbeth, Romeo, Malvolio, Orsino, Prince Hal, Master Ford, Benedick, Orlando, Laertes and Demetrius. Eric’s production of Shaw’s Saint Joan will return for another Off-Broadway run in February of 2013, running in rep with Hamlet, and then move to the Olney Theatre outside Washington D.C. Eric received his M.F.A. from the Trinity Rep Conservatory, and has been a proud member of Actors’ Equity since 1996. He resides in New York City, where he is the artistic director of Bedlam Theatre. Eric’s versions of St. Joan and Hamlet are currently performing at the Lynn Redgrave Theatre to enormous critical acclaim.
Les Dickert (lighting designer) designs for a diverse range of live performance, spanning contemporary and Shakespearean theater, modern dance, classical ballet and international performance art. Recent projects include Assisted Living/Good Sports 2 (Yvonne Rainer/Kunsthaus Bregenz), The Nutcracker (Boston Ballet) and Issac’s Eye (Ensemble Studio Theatre). Broadway: Wrong Mountain (assistant), High Society (assistant). Off Broadway: Atlantic Theater, Rattlestick Theater, P73, Theatre Row, Ensemble Studio Theatre, InViolet Rep, others. Regional: Shakespeare & Company, Great Lakes Theater Festival, Geva Theater, Perseverance Theater, Syracuse Stage, Triad Stage, Arden Theater, others. Dance: White Oak Dance Project, San Francisco Ballet, Boston Ballet, Miami City Ballet, Tulsa Ballet, Joffrey Ballet. International: Centre Pompidou, La Scala and the National Ballets of England, Denmark, Australia, Belgium, Canada and Russia. Upcoming: Achilles Heels (Martha Graham Dance Company), Clybourne Park (Pioneer Theater). Mr. Dickert is a graduate of the Yale School of Drama.
Valérie Thérèse Bart (costume and scenic designer). Off Broadway: debut. Off-Off Broadway: Say You Heard My Echo (costume design; Jesse Jou, dir.), Song of a Convalescent Ayn Rand Giving Thanks to the Godhead in the Lydian Mode (costume design; Michael Rau, dir.), Anna: Love in the Cold War (Josh Kashinsky, dir.), Goodbye New York, Goodbye Heart (scenic design; world premiere; Oliver Butler, dir.). Regional: The Guthrie Theater, Shakespeare Theatre Company, Arts Emerson and Yale Repertory Theater: The Servant of Two Masters (costume design; Christopher Bayes, dir.); Yale Repertory Theater: Pop! (scenic design; world premiere; Mark Brokaw, dir.). Theater: Atlantic Theater Acting School: In the Next Room or the Vibrator Play (costume design); Rider University: A New Brain (costume design); New London Barn Playhouse: The Drowsy Chaperone (costume design; BT McNicholl, dir.),Guys and Dolls (costume design; Robert Sella, dir.); Yale School of Drama: Uncle Vanya (costume design; Ron Van Lieu, dir.), The Tempest (scenic design), The Robbers (costume design). Opera: NYU Steinhardt School of Music: Die Fledermaus, Brahm’s Liebeslieder (costume design; Michael Rau, dir.). Awards: finalist of the New Hampshire Theatre Awards in Best Costume Design category for The Drowsy Chaperone (2011); nominee for the Connecticut Critics Circle Awards in Outstanding Scenic Design for Pop! (2010); recipient of the Leo Lerman Graduate Fellowship in Design (2010); recipient of the Marvin Sims Memorial Fellowship Award for Young Designer of Color (2006). Training: M.F.A., design, Yale School of Drama. www.valeriebart.com.
Daniel Kluger (sound designer). New York: Tribes (Barrow Street Theatre), House for Sale (Transport Group), A Supposedly Fun Thing…after David Foster Wallace (Daniel Fish), The Common Pursuit (Roundabout), A Map of Virtue (13P), Lidless (Page73), There Are No More Big Secrets (Rattlestick), The Temperamentals (Daryl Roth), Enjoy! (The Play Company), Jailbait (Cherry Lane), Uncle Vanya, Ivanov, Platonov, The Seagull (Brian Mertes, Lake Lucille), On the Levee (LCT3—conductor, pianist), Dov & Ali (The Playwrights Realm). Regional: Pig Iron Theatre Company, People’s Light & Theatre, The Arden Theatre Company, Virginia Stage Company, Two River Theatre Company, TheatreWorks Silicon Valley, American Players Theatre, Great Lakes Theater Festival. www.danielkluger.com.
Katharine Whitney (production stage manager) is honored to be working with Women of Will. Favorite credits include Rent (Michael Greif), The Best of Everything, The Gallatin Theatre Troupe, Illusions of Grandeur—A Magic Show and work with Jujamcyn Theaters. Proud member of AEA. Graduate of NYU, Gallatin. Thanks to GGx5, MDCC, friends, family and Henry.
Dale Heller (publicist) is founder and president of Heller Highwater LLC, a communications company located in the heart of New York City at the corner of Fifth Avenue and 42nd Street. At Heller Highwater we provide a full array of communications services, including public and media relations, media training, speech writing and strategic consulting to our performing arts and entertainment, non-profit and hospitality clients. Current and recent clients include Page 73 Productions, the non-profit Making Books Sing, the commercial Off-Broadway production of Tina Packer’s Women of Will, Slant Theatre Project, the Guerrilla Shakespeare Project, the Off-Broadway transfer of Fault Line Theatre’s From White Plains, the non-profit Artists Collective for Social Change, Oberon Theatre Ensemble, Barefoot Theatre Company, etc. For more information about Heller Highwater LLC, please visit www.HellerHighwaterPR.com.
Sarah Hancock (producer) currently serves on the boards of the American Repertory Theater, Shakespeare & Company and the Kripalu Center for Yoga and Health. For the A.R.T. Board, Sarah serves in a number of pivotal roles: she currently heads the Conflict of Interest and Compensation committees, and is also a member of the Finance and Strategic Planning committee. She passionately shares the A.R.T. mission of expanding the boundaries of theater. She serves as treasurer of Shakespeare & Company and is chair of the Finance committee for Kripalu. Ms. Hancock began her career as a software engineer for IBM, Wave Systems and Programart.
Adam Fitzgerald (general manager) is the artistic director of kef theatrical productions and a founding partner of Fifty2&Nine. General management credits include Michelle Clunie’s Us, Wendy Beckett’s A Charity Case and Modotti and the NY premiere of Chekhovek. In NYC, Adam directed the critically acclaimed Methtacular! (Time Out NY critics pick), Killing Women (with Lisa Brescia), Lyric Is Waiting (all with kef), Getting the Business (Rachel Reiner Productions) and the premiere of <